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Michael Fried and Philosophy: Modernism, Intention, and Theatricality. Mathew Abbott

Michael Fried and Philosophy: Modernism, Intention, and Theatricality


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ISBN: 9781138679801 | 276 pages | 7 Mb
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  • Michael Fried and Philosophy: Modernism, Intention, and Theatricality
  • Mathew Abbott
  • Page: 276
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781138679801
  • Publisher: Taylor & Francis
Download Michael Fried and Philosophy: Modernism, Intention, and Theatricality

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Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.

Michael Fried and Philosophy: Modernism, Intention - Routledge
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of MichaelFried's art history and criticism. It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light  “Art and Objecthood” A Lecture Stephen Melville - Macba
of relatively little interest one way or another. 4 See Michael Fried, Absorption and Theatricality: Painting and Beholder in the Age of Diderot (Chicago: University of. Chicago Press, 1980), Courbet's Realism (Chicago: University of Chicago Press, 1992), and Manet's Modernism, or,. The Face of Painting in  Alienation and Theatricality: Diderot After Brecht - Google Books Result
Phoebevon Held - ‎2017 - Foreign Language Study Michael Fried and Philosophy: Modernism, Intention, and Theatricality
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism. It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light  Michael Fried and Philosophy: Absorption, Theatricality, and
Michael Fried and Philosophy: Absorption, Theatricality, and Modernism,Abbott, Mathew (ed),^Available December 2017^,Routledge. Michael Fried and Philosophy: Absorption - Google Books
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of MichaelFried s art history and criticism. It demonstrates that Fried s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light  Stage Fright: Modernism, Anti-Theatricality, and Drama - Google Books Result
Martin Puchner - ‎2002 - Literary Criticism Roger Fry's Formalism - The Tanner Lectures on Human Values
659–740. See also the discussion of Edmond Duranty's citation of the Essais in his La nouvelle peinture (1876), in Michael Fried, Manet's Modernism, or, The. Face of Painting in the 1860s (Chicago and London, 1996), pp. 259–60. 9 See the comparison between Chardin and Greuze in Fried, Absorption andTheatricality,.

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